Thursday, November 10, 2011

Turning 21: a Birthday Speech

Turning 21
Written and Delivered by Brendan Jones O'Connor
In front of the Wisconsin State Capitol

      Many people when asked on their birthdays claim they don't really feel any different. Today is my birthday, and I do in fact feel different. Today, I turn 21, and I feel like a man. Forget 18, 21 i the real age of adulthood. When I turned 18 three years ago, I voted in the presidential election, wore suits to school, was waiting to hear back from the two colleges I applied to- I got into one- the top movie at the box office was High School Musical 3, and "Whatever You Like" by T.I. was the number-one hit son. I was so naive then.
     In only 3 short years, I've lived the bulk of my college experience, gone vegan, protested like a hippie, learned conversational Dutch, written 2 books, produced umpteen Youtube videos, and met many, man strange and wonderful people, all of this before reaching this cusp of adulthood.
     And while I feel more like a man, more like a mature adult, transitioning to a time of life without the fallback of my parent's checkbook or the daily regiment of homework, I feel like the further I've progressed, the closer I've returned to place I was at 18. That is, the state of mind when the future looked so mysterious, so open, and yet so hopeful.
     But above all else, I have learned a lesson today. As a child, I thought friendship was something that only existed in youth, and as soon as one entered maturity, the relationships between adults became mere formalities. I am so very glad to report that this is most certainly not the case. For everyone of you, I value the experiences, the characters, the personalities that have shaped me as much as I hope that I may have shaped you. These years, these times, they matter, they actually matter, and I could not be any more glad than to have shared it with each one of you.

Tuesday, October 25, 2011

St. Thomas Aquinas and "The Nightmare Before Christmas"

      I adore The Nightmare before Christmas. Unlike almost every other animated kids' movie since 1991's Aladdin, there are no contrieved attempts at annoying comic relief characters, the story is maddeningly original, the visual aesthetic never gets old, and the songs are beautiful. As that holiday, definately one of the my favorites, as I endorsed in a poem recently, rolls near us, I started watching the film again. I realized something a little peculiar that I hadden't before, what is the cosmology of this fictional universe? Does Halloweentown, Christmastown, (and the other holiday towns) all reside in the same world? Where is the normal world, where Jack attempts to unsucessfully deliver toys? After some thought, I realized that The Nightmare before Christmas is a profoundly religious film, with a worldview rooted in the melding of Aristrotelian and Neoplatonic ideas such as the theology of St. Thomas Aquinas.
      Halloweentown is not a spacio-temporal place in the way the normal world is, rather it exists in the mind of God as the perfect representation of the spirit of Halloween, much like Plato's World of the Forms. The residents of Halloweentown, as spiritual creatures, are capible of transcending into the reality of the normal world, specifically to scare people on halloween and other occasions. St. Thomas Aquinas noted that all beings originate from God with a teleology (a purpose) which they are meant to fufil as they then return back to God. Because these spiritual creatures are like the angels, they are almost perfect in fufilling their task of scaring people. Scaring people is not a sinful task, but rather a noble one, as it is established in the opening song that "Life's no fun without a good scare." On a more national level, one might argue that the prophet Amos' condemnations of invasion from Assyria (which proved to be correct) were meant to "scare" Israel back to following the laws of God after a long period of unjustice. The residents of Halloweentown are spiritual creatures fufiling a spiritual task that includes gaining tangible form.
      Jack, the doubting angel, is strugging with fufiling his teleology. When Jack enters the door into Christmastown, he is entering a portal to another location in this "World of the Forms," into another place in the immaterial mind of God where the perfect spirit of Christmas exists.
Returning to Halloweentown, Jack is excited, and the rest of Halloweentown attempts to mimic Christmas, but instead they create a warped version of the holiday. This is most likely because they are forms, they are incapible of becoming what they are not. Still, Jack enters the normal world unsucessfully, and gets shot down by the military after delievering horrifying presents to children.
It needs to be pointed out that Jack dressed as Santa Claus perfectly reflects another important idea in the Thomist system. St. Thomas Aquinas adapted Aristrotelian concept of essence versus existence. Existence is for an object to be there in space and time. Essence is that which makes the object the object. There is that element of "dog" that makes all dogs be recognized as a dog, despite many different colors, breeds, etc. Essense is within an object. As Jack wears Santa's red coat and a fake beard, be does not become Santa, because Jack's essense as a spiritual creature of Halloween does not change.
      After being shot out of the sky, Jack comes to in the arms of an angel statue, a piece of symbolism demonstrating both his redemption and the place as a spiritual creature himself, he comes to terms with the teleology of his existance: to BE the essence of Halloween. Afterward, he rescues Santa Claus, who then enters the normal world from his place in the mind of God in order to correct the wrongdoing. Jack's question ultimently was not in vain, as he found the girl, and regained a sense of direction in his existance. Meanwhile, St. Thomas would be happy to know that it was a skeleton, not an angel, that could danced on the head of pin.

Sunday, October 9, 2011

The Meaning of Halloween

If you're like me, you love Halloween. But instead of writing about my thoughts on this wonderful holiday in prose, I decided to do it in (unrhymed, accented) verse!

 
The Meaning of Halloween

By Brendan Jones O'Connor



To live in the north is to fight to survive

in those blistering winter months. But the blessing

we receive is autumn's jewel: October.


Nature, show us the divine presence here.

Of your four movements, autumn is the climax,

the divine conducts in flowing harmony,

each piece of the composure fits in its right place.

How lucky am I to have a seat, my jacket

serves as my tux and my tails. The willow tree bows

at the end of the performance.



Nature flows in circles, but every time

it seems so new. Halloween, our wake

at night to celebrate the death of day

and the circle's promise to begin again.



Still, life is filled with mysteries, and what

is horror but the things we don't understand?

We wear the things that scare us, so that now

we can conquer the crippling fear of unknown.

Halloween is death, but that's not the end;

renewal springs in its place and time.



This isn't a time for blank debauchery,

this is a time to celebrate life's power!

Not in the contrived, old fashioned constrictions,

but in the fun frolic and fancy free,

we release enlightened gaities.

No hedonistic slight-of-hand can brush

away the beauty within the pageantry.

Wednesday, August 10, 2011

My Very Own HP Lovecraft story

As of late I've been reading the works of Horror/Fantasy writer HP Lovecraft.
To those unfamiliar, Lovecraft wrote a series of "weird" stories as they were called, mixing elements of fantasy and horror, for pulp fiction magazines back in the day. His use of the Eastern Seaboard locations, extensive first person narration with little dialogue, and suspense-driven stories makes him very much the sucessor to Edgar Allen Poe in the gallery of American writers.
     The most unique feature of Lovecraft's work is his Cthulhu Mythos. Several of his stories revisit a set of shared references to a pantheon of creatures called "The Old Ones," not quite gods, but awful entities that seem unrestricted by the limitations of the human mind. For Lovecraft, our reality teaters on a vast unknown, and from whence true horror arises.
     Feeling inspired, I attempted to write my own story:



Beast Uprising

By Brendan Jones O'Connor



The greatest misdoing of the human mind is its overwhelming conceit in believing that it every can come within the boundaries of understanding the order and workings of the universe. That which we collective as a society accept as being a supposedly “true” grasp of reality on a cosmic scale is laughable to the ones that exist beyond us.

I hailed from the Milwaukee suburb of Okosh Grove. In the said town, Old Money were those whose wealth extended past your own generation. As a jocular friend of mine stated firmly in a fit of jest, “I think this is the Irish part of Town, because I'm seeing so many McMansions.” It was here I gained my first love of chemistry. In the amorphous shape of my subdivision, amongst the three-car garages and streets that curved solely for an aesthetic design, I first recognized the strength of the utility for the material science. Science did the curtsey of bringing the water through the meticulously planted pipes under the streets. This same subject fertilized the advanced crops in my pantry. This subject made sense, and like the efficient and calculated aesthetic of my subdivision, I could make a well outcome with the rules of logic and observation.

My pretenses wrapped me into a distinct path, that vision which already was approved by a set of experts, who in turn had their credibility confirmed by a set of experts, who accordingly held their titles' esteem as the result of the judgments of another set of experts, ad nauseum. As a hard science major, chemistry, that particular sentiment sometimes earns me the ire of my peers. In fact, I myself used to think that way, until the nightmares started.

Dreams have always interested me. The classic philosophical point regarding dreams is the argument that because dreams seem real to us while dreaming, what is to say that the current moment is not a dream? I never liked that argument, because dreams seem to possesses qualities radically different from consensus reality. Foremost in my observations, if that term can even be applied for dreaming, in a dream I have no concept of Free Will, there is no decision-making process, and I am totally at the mercy of outside events and an uncontrollable urge to do certain actions. My dreams are often filled with desires to do a particular task, but seem to be incapable of even going about doing it, as if my body were merely an avatar for some foreign manipulator.

I would awake with a tremendous relief that what I had just experienced did not actually occur. I could not recall the events, but I knew that those were not the cause of my malaise, but the conditions of my dreams. The sadistic and bizarre rules of my dreams were such that I accepted them without thought. At some point, I would begin to question the reality of the situation, then the dream would end. Thus, it made no sense to me that one could be unaware of living in a dream world, because the ability to question if one's reality is a dream was enough brunt to end the dream.

I do not remember the dream that morning, but I do know that a pervasive sense of dread continued well afterward. My thoughts scattered by the unsettling haze remaining after awaking from the dream, I recalled that I had scheduled a meeting with my zoology professor, Dr. Klopparberg. The matter of our intended encounter held minimal relevance, just an issue about a mis-graded paper, probably a symptom of her extensive and unrelenting work load as a recent adjunct at the university. I am uncertain if she could ever gain tenure status here at the prestigious University of Wisconsin, her youth, combine with a distinct New Age style of appearance, the tussled hair, the lack of makeup, the hand-knit clothes, as well as a method of lecture that emphasized a holistic application of the material. She clearly lacked the discrete professionalism of almost every other teacher I have had. On almost every day prior, I held little opinion of her beside general indifference or annoyance at her drawn-out explanations for extraneous material, especially for a class I am confident the majority of us took only to fulfill a basic requirement. Today I felt a little different, and welcomed the opportunity to speak to somebody a little different, hoping maybe her happy-go-lucky cheer might ease my buffeted mind.

I found the door of Dr. Klopparberg's temporary office after an inordinate amount spent searching the top floor. It turned out the mailbox address was slightly off, but I doubted she had that much spite invested in whether or not students made their appointments within the five minute interval of the scheduled time. I knocked, and she left me in to a tiny office cluttered with more book, posters, and forms of media than I thought were possible without taxing the concentration of any sane person (but then again, it was Dr. Klopparberg I am speaking of.)

We spoke briefly over the fate of my document and the potential for its re-evaluation. She almost immediately confessed to the mistakes made in grading, a behavior I would not mind other professors emulating. I noticed after we came to a conclusion an unlikely looking small, white-marble statue tucked in the back of her office, amid a stack of books with long and uninspiring names. The figure possessed a head resembling a Cuttlefish, but its body looked scaly, powerful, and endowed with enormous wings.

“I am a little intrigued by that figure you have up there.” I said, bending my arm at the elbow in order to point to the strangely-bodied creature.

Unprompted by me, she arose to puck the statue from its prior place. “This is a beast in the water, a special being.” she said. I was taken aback by the intricacy of the statues detail; the skin's design had almost an Arabesque level of intertwined unity. How could human hands make such an object? Its eyes, half-moon in their shape, protruded slightly from the head, drawing in my attention, while at the same time, sending a shape wave of repulsion through me.

“I am unfamiliar.” I did not intend for this to be a lie, my mouth moved before I could make a better command. In fact, my whole walk to Dr. Klopparberg's office kept feeling as if I were merely an observer of an outer phenomenon that I am incapable of controlling.

“I had an experience with one. It is the very event that made me want to become a zoologist in the first place. It is a bit of a story, and I may have added on pieces to it, you know, how stories change over time, but this actually happened.”

I nodded my head. My focus of vision narrowed to include almost solely her head.

“I went to a festival in the wilderness, far away from any city or distraction. Actually, there were plenty of distractions, but they were natural distractions, so they were perfectly welcome. This festival came once a year, every summer. I wanted to go to it every year, and I finally got to go to it after I graduated from high school. I went with a friend, a friend who was very beautiful. Very beautiful.”

She stared directly at me. Her eyes stopped blinking.

“On the second day of this wonderful festival, I knew my vision quest began because my mind lost all of its limitations. I was free to fall into the lake. By my back.”

Her head tilted.

“Water always scared me, but that day it didn't. The light above me in the sky reminded me that the water surrounded me, but the light died. Still I could see everything. The lake at this point didn't have a limit, just as how I didn't have a limit. It blended perfectly, no seam at all, into what the oxygen air used to be. Maybe those two perfectly blended, because I could breath in this new place. Two eels and a cuttlefish crawled out of the darkness. The two eels looked like were connected to the cuttlefish, making up a body along with a black body. It had arms with sharp claws, but I wasn't afraid. It went away quickly, and I got lost in the water land when it came back out of nowhere. It said its name was something strange, but it didn't say it like how I'm talking to you right now, it just let me know it in its own language. That whole moment was such a precious moment. I loved all the rolling things in the world, those that inhabited the land, the air, the sea, and those other places, like this creature, who lives in the land between the salt sea and the sand shore. One day I will find this again. I couldn't cry because I wasn't afraid. But I how could I laugh if it wasn't funny? But I laughed anyway because I like to laugh. It did not matter. The beast overcame me and my limitations. My limitations included my life, my thoughts at what a life could be, or would be, or had been. Those didn't matter any more.”

She stopped talking without any gesture or further indication that she found closure in her thoughts; her lips dangled slightly open, and her eyes reminded ajar, as if her remaining thoughts trailed just behind my head. I waited for about ten seconds, hoping that she would continue, or at least dismiss me from her cloister. To my dismay, it was me who had to end this uncomfortable encounter.

“Well, yes, I think I ought to be going now.” I said, drawing in more air through my teeth than I had hoped. But she could not tell, the only difference after I announced my exodus was that her lips formed a close pucker before fully pursing.

Creeping pangs overcame me, and I left. Instead of directing myself to my apartment to work on an unruly swath of homework, the result of the past week spent with a greater emphasis on socialization than scholastic effort, I went on a walk to the Terrace overlooking Monona lake. I dangled my head over the edge of the Terrace. A conversation I had with a friend the night prior came to mind.

“Something always bothered me about the concept of God. Many people, especially around this state, seem to believe that a supreme being created and regulates all ethics in the universe. But this doesn't make any sense, because what if God was evil?” He said.

“I suppose if God were evil, then he would have made us human beings into thinking that good was bad and bad was good. Our standards would just be different.” I replied, largely indifferent, but obligated to support logic at all times, even if only out of principle.

“But that doesn't address the point that God could exist in spite of us. Maybe God could simply not care about human life. Think about it, if you had all the cosmos in your grasp, would you really think that there's a difference between the molecules in a rock or the molecules in a person? I know I wouldn't even bother. I'm God! I have better things to do!”

My friend's logic, had one of the Religious Studies professors overheard, would probably have incited a series of objections for his crude analogy, but it made me think.

A sudden, powerful effect came over me with little precedent, either in my mood and thoughts that day, or my entire set of recollections of my prior experiences. The flame of my imagination caught fire and a fantasy overtook me; that of an angel. More precisely, a phantasmagorical figure that presented a clear verbal message. Hume said that all objects are nothing but a collection of physical properties, and that may be true, but this angel, did not occur to me as a full visual essence, but more as a figure with out a form. It was as if the overactive imagination of my whimsical youth got hijacked by a mysterious subconscious agent.

“Come... Tonight...” the whispering agent told me. It faltered into a greater nothingness, and I found myself walking away.

The rest of that God-forsaken day was spent in uncharacteristic focus on the research on hand. The pace and precision that I managed to maintain unsettled my mind at some points enough to irk me into recognizing my absurdly centered efforts. My common desires for things like food or mental breaks faded away until I no longer questioned their absence. My homework for the weekend lay motionless, I accomplished all task by the setting of the autumnal sun. I redirected my vision to outside my window. I felt two rapid feelings, one of great discomfort at the realization that the sun had already receded hours ago without me seeming to notice, and the second to excuse myself from the room that I had been planted in for such a long time that day. I arose and departed quickly, securing a thin windbreaker for myself and exited my apartment. My course for that walk mattered very little to me, I deliberately left the path for my feet to decide. A few minutes of passing through the clear night of surprisingly no distraction from any other person or car, I approached the Monona Terrace again, remembering my odd visualization of my intuition earlier that day. The water transfixed my vision for a full minute's time, its idiosyncratic lake flow, a strong character for a town such as this. What I then saw broke me from my blindness. The water formed in ways water is utterly unknown to do so, and the beast arose from it.

Horror, yes, that primitive feeling, the same emotion binds all of humans in all of time together in its struggle against the cruelness of existence, overwhelmed me. No method of escape existed; this being, a being beyond any sort of limitations we humans have attempted to impose on the universe, held the fate of my life. Its immense form of dark green flesh defied every notion of biology: its cuttlefish face extended and contracted, increased and decreased in girth by the second; its bestial claws twisted and angled in awful ways. The eyes, oh how I fail deeply to explain soul-emptying void of its two glowing, but still darkened eyes. The absolute Hell of staring at this beast eyes resembled a cruel paradox of drowning while burning to death. All life forces within me drained from my body, and in the vacuum a wretched, all-consuming pain erupted through every part of me. The beast caught my very consciousness.

The Bible says so little about Hell I'm surprised anybody ever invested that much time thinking about the worst of all things to come. Jesus did say there would be “weeping and gnashing” of teeth. Christ's economy of words may be the only sign in our miserable human language to attempt to capture this great other. At that precise moment, I entered that which cannot be understood as a hallucination or a dream, or any part of reality I or anybody else can ever know. Just as George Barkley theorized that we all live in the mind of God, I lived in the mind of this beast.

What I must characterize as a room, but really lacking the physical boundaries accustom to people in our tangible world, bound me in total restraint: I had no body. My consciousness, removed of my corporal exterior, shifted independently of my will, however, my awareness was not limited by my usual plane of vision, but grasped all of what was around this mind-space. I could not escape. Non-Euclidean geometries of off-colored materials knit in complete uniformity. With my conscious self now trapped, a humanoid form spun into figure.

“You shall be overcome.”

I realized my body alongside a bridge by a bike trail.



The nightmares did not die, instead they intensified. On an accursed night when these horrid visions come to me, my body convulses, and I often ejaculate a scream that awakens those around me. As much as these people inquire into the cause of my night terror, I can never quite form words to express the horror that makes me quake with total release. Common peoples' bad dreams do not in any conceivable way compare to the form of my torture. While a standard nightmare, the sort popular amongst children or those with a stressful experience in their past day, the images do not fade upon awakening; rather, the narrative, if I may even give it the honor of calling it that, does not leave my memory. Every motion, every sound, every pace, every color, every unnerving step indelibly imbues my mind. Worse, my perception of pain, fear, and sickness do not seem to deviate from that of the real world. In every sense, the world of weeping and gnashing of teeth overtakes me, with no introduction and certainly no conclusion. All this to the point I question my own sanity.

But above all is my reaction to the bestial giggling, the low, pulsating bass sounds that effect me physically as well as mentally. I will not ever wish that sound on any human being; its call reaches beyond barrier to intercept my ears and control my body. I cannot outrun it. Whenever I hear it, I freeze and quiver just make sure my body is still alive. The sound that reminds me my conscious existence lies completely in the power of the great ones that I do not, and cannot understand; it is the sound of the forces that we cannot speak of.

Some religious folk live with this obfuscating delusion: Armageddon is just around the corner, the armies of the Good Lord will battle the forces of darkness, and God wins. Those who were on God's side the whole time are the ultimate winners, because they were specially absorbed from Earth to Heaven in one fateful moment, while the rest of the world will suffer accordingly to their lack of faith in the real God.

If I have come to embrace skepticism to those who insist on a tidy rational explanation for the natural science of the world, I too reject a concise Westminster Catechism approach for our warped reality. For all we know, life after death may just be Hell, in fact, I sincerely suspect it.

Saturday, July 16, 2011

Politics

     I have come to a conclusion recently to actively attempt to disengage myself from politics.
     People of all positions sit around and complain about one administration or another, often motivated more by their biases and emotion. People have turned a multi-facited world into a false dichotomy, a fictional "Culture War" of Republicans vs. Democrats. We live in an America where one's ethnicity, class, or religion do not necessitate one's party alliance. Part of the reason for this I believe is because people are no longer limited to the geographical area of their birth or the trade of their father (if male) or motherhood (if female.) Although the United States is a classist society with a large gap between the rich and poor, there is a tremendous potential to follow your dreams.
     That's what I think is most important.
     I believe that every human being has a potential inside of them, an end goal, a teleology, and it is either society that dampers that human spirit, or guides it. I believe that if each of us became fully in-tuned with that driving vision within them, that we would be in a much better world.
     I was blessed from my birth to be in a position to be able to follow this inner light, and I believe that to follow it is not selfish act, but rather a manifestation of what I as a human being ought to do.
     If any good comes from my life, it will not be because of the rambling political opinions I shouted at another equally uninformed person, but from my true life work.

Saturday, July 2, 2011

The Word "Pretentious"

When it comes to film/music/theatre/literature critique, I am a big believer that one's criticisms need to have an element of falsifisity. Instead of just saying, "The vision of this film was totally wack! Don't see it!" write something like, "This film's color pallet is very limited, making it seem monotonous. The camera operators failed to carefully dipect the action, making it seem too much like The Blair Witch Project when all the scene needed was a steady-cam shot." My point here is that if one is going to criticize, one ought to give support for their arguments.
     The word "pretentious" is used often to criticize art, but is almost completely baseless, and does not fit well into an argument about a work's quality. Any sort of work that aspires to something grand in vision will almost always be attacked as pretentious, but that tells me nothing about the actual work itself. Music critics ruteenly call indie music bands like Radiohead, Arcade Fire, Of Montreal etc. pretentious, but these same critics fail to give a counter-example of un-pretentious music. Is Johnny Cash un-pretentious? His six-part American album series, with two instalments coming out after his death, seem pretty grand in vision, that might very well be pretentious. U2 has recieved the pretentious lable, but I suspect that comes more as a criticism of Bono's activism. Once again, that tells me nothing about the music; music should be judged by the quality of the music, not by the identity and actions of the band.
     This is the same story with film and literature. Every indie filmmaker with a vision to make something good must deal with the baseless and meaningless criticism of preteniousness. What about Spielberg's ET? Wasn't that pretentious to make a kids' movie about an Alien that symbolizes Jesus? Wasn't Orson Welles pretentious to make such a long, epic movie like Citizen Kane when he was 25? No, but Quentin Tarentino was pretentious making a self-referential genre film like Pulp Fiction?
     I request everybody to stop using the "P" word and instead base their critique on objective observations.

Friday, July 1, 2011

Poem for my Chaplain

Here is a poem I wrote for my chaplain Fr. Tom Ferguson, who has just accepted a position as dean of Bexley Hall seminary in Ohio for the Episcopal church. This is his "Graduation" poem.

To our Chaplain

I’ve seen the best minds in my generation done-in,
enamored by their liberation
within the college basin of sin,
baptized too fast in alcohol libations.
But where amongst the nameless crowds,
girdled thick by the debauchery,
could I find a place not too proud
to let me join their comradery?
St. Francis House! (Find us with Ariadne’s spool.)
I knew right in those Eucharist crumbs:
The greatest trick the devil pulls
is telling students not to come.
In Soviet Union’s disarray
you found hope past the bleak and scoff,
I feel our God on Ash Wednesday
as you mark my brow like Gorbachev.
Religion seems at times so weird,
but then I see you in your robes
my creeping doubt has disappeared:
Jesus died for sins, not frontal lobes.
For all you do, your sanity remains.
How do you keep Malcolm gently coerced?
You an immovable object, as he runs figure-Eights,
I take him as the unstoppable force.
For “educating us straight to hell,”
enduring all of this monotony
to lead us well andcome to help
us kids from fly-over country,
I give you my acclaim for working with God,
and maintaining a building so old,
well-versed in bat-bagging, Jason Todd,
and fighting radon and toxic mold.
“The past is prologue,”I must concur,
I leave you with a final thing,
I’m fond of this one song I did hear
and times like now, weought to sing:
“On Jordan’s banks the Baptists cry,
announcing that their Lord is nigh.
Oh, but the Baptists have no fun,
thank God I am an Anglican.”

Thursday, June 16, 2011

What I Learned From Majoring in History

After four semesters, I have completed all the requirements the History BA at the University of Wisconsin-Madison (The Good One.) At this point, I could take classes in yoga, poultry science, and philology, and still graduate in time. Having effectively completed the history major, although I will take more classes, I would like to reflect on my experiences, especially on the young, impressionable youths going to college soon. I am not finished with college. True, but I have learned some things.

- Everything you learned in high school is wrong
That's right! Most people I know that study history independently seem only to be interested in learning about wars or American political history in general. Studying history academically, you will swiftly learn that history is not a grand narrative of white people dominating over other white people, but something much more complex. Your high school wasn't completely wrong, but they were forced to over-simplify and give an America-centric viewpoint.

- History isn't teleological (You can't predict the future)
To quote the Bard, "The past is prologue." Despite what your crackpot radio pundit/uneducated economic theorist that advotes buying gold tells you, history does not work in any determinable cycles or theoretical pattern.  I consider History a social science as well as a humanitarian study, but we don't make models the way sociologists do. The future is unpredictable, but it will come...that's the fun of it. 
- You will learn a foreign language
Stop lying to yourself, English will not carry you your whole life. American History is full of immigrants that spoke and wrote in other languages. English History is full of Latin, french, and Old/Middle English. Beowulf is hard.
- Reality is not the same as facts
Indiana Jones says in The Last Crusade that Archeology is the search for facts, not truth. What the adventurer/professor meant is that archeology uses empirical methodology instead of analytical and critical techniques found in historical analysis. In other words, antropologists are more or less trying to find out what exactly happened, irrefutable facts, while historians are all about understanding the nuances, human experience, and present-day implications for past events. Antropologists could look at you and say that your body is proportioned in such a way to draw interest from potential mates to continue the gene pool, and your cultural artifacts signify your wealth as capability to support a family. A historian would say you are hot and paid, rico sauva.
- History encompasses literature, cultural anthropology, philosophy, and foreign language studies
You are going to learn about a whole bunch of different subjects and topics to 
- You are going to learn about religions that aren't yours; get used to it
- Don't major in history
A good deal of people that graduate in History that A. failed to get into the business school, B. failed to get into the education school, or C. failed to get into some other school on your college. These people tend to begrudgingly complete the requirements. These people tend to do one of three things upon graduating 1. go to law school, 2. get a teaching certificate from a tech school, 3. go to grad school for a PhD. I have some problems with these three options, but mostly because so many history majors do these things because they are scared of trying to enter the work directly.
     1. Law school just might be one of the worst decisions you could possibly make. There simply isn't a huge demand for lawyers, but 45,000 new JDs are awarded each year. A law degree will most likely not help you at getting a job outside of law, and if anything make you look overqualified. And law school will cost 80,000+ dollars and don't count on any scholarships. If your life ambition is to be a lawyer, you need to go to a T-14 law school. If you get a degree from one of these, you will have the credibility to practice anywhere in the United States, otherwise you will be limited to the geographic location of your podunk third-tier law school. Lastly, the median salary of lawyers has declined much given the lack of demand, only the absolute top will be making bank.
     2. It has been said the United States needs better teachers. This is probably true, especially since math and science teachers are scarce given how they could make so much more money in the private sector. As for History and English, I am fairly confident that there is an oversupply of these. Interestingly enough, majoring in straight History or English literature actually has a higher median income than education. I realize that money isn't everything, but if you are trying to get into teaching because you think that it'll be an easy, recession-proof job, you will be shown otherwise very easily.
     3. Grad school will take 5-10 years, a massive opprotunity cost, and extremely little job security. Professors in the Humanities are rarely tenured these days, so abandon this idea that you will easily gain a comfortable job at some bucolic university setting.
- Major in history
     History is great! After all, I major in it. History is a holistic learning practice that combines social sciences and humanities to give a completely different view of the world. History can make you a better, more self-actualized person, and at the very least a better-read and more skilled writer. You CAN GET A JOB that don't involve teaching with a history degree, the important point is not to blindly stumble into the History major, but to accumulate skills like quality of writing, research, analysis, computer skills, foreign language acquisition, and yes, even math ability. History is for the brave who can use the totality of their intelligence. Open minds only.

Saturday, May 21, 2011

Unusual Majors at UW-Madison

The school year has closed and I have completed another semester of pursuing a Bachelor of  Arts (or artium baccalaureus if you're not into that whole brevity thing) in history and economics at the flagship, land grant University of Wisconsin, located in the Badger State's own pristine capitol of Madison. In fact, I like learning so much I am taking a class this summer, MATH 112, or algebra.
     History and Economics are the quintessential humanity and social science (your opinion may vary,) thus it doesn't seem too strange that a large university like mine would have them. But what about the dozens of other majors offered? Just what are the more peculiar ones? After a run through the website's list, I produced some of the courses of study that even your odd cousin Julius with the forearm tattoos, a photography lab in his basement, and an a-symmetrical haircut wouldn't touch.

- Agricultural Journalism (recently renamed Life Sciences Communication)
 Corn has ears, somebody has to talk to them. As well, somebody needs to report about the price of pork rinds and orange juice concentrate in the commodity market.

- School of Education majors: Polish, Hebrew,
 I could under why somebody would want to major in Hebrew, Israel is kind of a big deal in the international relations, and classical Hebrew is necessary for critical biblical studies. I could understand Polish, its a decent country in Eastern Europe, and knowledge of the language may help with international business. What I don't understand as much, what is the incentive to major in secondary education of Polish/Hebrew? I don't know about where you live, but there aren't too many Jewish schools in Wisconsin, and even so, they would be private, not needing a degree in education. What schools teach Polish and Hebrew? Where are they? I have heard of Chinese, German, Spanish, French, Latin, even Portuguese (which has almost as many speakers as Spanish, by the way) but really where do they teach Polish and Hebrew in a school setting?

- Retailing
 I had no idea retail is a verb. I retail, you retail, he, she, it retails. I sense that retailing majors are business majors types that realize that they actually want to work in retail, and aren't majoring in business because they don't know what to major in.

-  Poultry Science
Being a vegetarian, I am despised by all animal science majors. Go on, keep on hating, but these chickens will not be entombed in my body.

- Material Culture Studies (Certificate)
In high school, I took AP Language and Composition, a composition class taught by a woman that I assumed was bitter that she never achieved a prime job as a newspaper reporter. One day the class started talking about tabloids and their exploitation of celebrities, especially how Madonna sued one for false reporting. I sighed loudly and said, "It's a material world." After a second, the class starting laughing. 

- Supply Chain Management (Certificate)
This sounds like a joke, imagine if somebody majored in retail and received a certificate in Supply Chain management. This person, let's call her Wendy, gets a managerial position at Best Buy. Somebody walks up to her.
WENDY: Sir, may I help you?
ANGRY CUSTOMER: My God! Does anybody know anything around here?
WENDY: I'm sure I can help you, what is the issue?
ANGRY CUSTOMER: It's just, seriously, did anybody here go to college?
WENDY: Well, sir, I did. I majored in Retailing with a minor in supply chain management.
ANGRY CUSTOMER: (Laughs) nice one. I got a double major in barbecuing and Jack Daniel's appreciation. Once again, my visit to Best Buy has proven that everybody that works in retail is a failure at life (walks away.)
WENDY: But I'm still paying off my student loans! (Pause) I don't think I'm a failure at life.

School is fun. Learning is great. Don't be afraid of double majoring.

Saturday, May 14, 2011

Graduation Poems

For Kate

There may be truth to find in soil science,
but why just scratch the surface when the tools
spelunkers of the soul’s ambivalence
require are merely JSTOR’s knowledge pool?
It’s great to have you in our Christ alliance,
you, humanist from Hudson chose my school!
As never have I heard the word said “Orahnge”
In such a way for me to think it foreign.

Our Kate has nothing at all to prove,
except perhaps how coolness amasses,
she knows the good and bold, and always shoves
away from Hubris and his advances.
She’s not as puritanically above
accepting advice from Dionysus,
I know no other who delights with wine,
Tight-scripting essays quick while slouched supine.

It’s all for purpose, learning liberal arts
or so you’ve reassured my soul’s unease.
Our hospitals have X-Rays scans for hearts,
But only you can make them still believe.
I wish you love in Christ and man (an Abelard!)
To go along-side you as Eloise.
May God anoint such faith with Libation,
(Least not your man to risk emasculation.)

Along with Tom, you battled bats and mice
To be the ‘fellow rift with strength and poise.
From pulpit, Macbook, or bedside, any device
you use within and with your joys,
the pedals, flow’rs and bikes, (least not forget our Christ!)
for anchored faith in windy Illinois.
A man may work his toil from sun to sun,
But this priest’s ministry has just begun.









To Hattie

Who knew the south may rise up strong again?
Or maybe some rise straight up to the top
On to my home and native land, Wisconsin,
Where liquid barley is our fav’rite crop.
Comparatists, you tell me how words pop: 
Be weary of Germans baring gifts;
don’t bring your card to the librairie shops.
How awful living life locked in the Stagnant!
Embarrassing as telling Spaniards you’re pregnant.

I realize the sun goes part-time in
the winter. Trust me, I can feel your pain.
But that you chose us o’er Wash U.’s chagrin,
we all feel keen. With you, one rule germane
the greatest sin lies within the mundane.
Just as a Vegan never loses tempah
I never see you losing face or brain.
The best from Mid-Town’s streets, I must attest,
Most excellent in fancy, infinite in jest.

I hear that graduation’s Latin for
“Now get a job!” resume those résumés,
Just don’t embalm yourself with the Peace Corps.
The only advice I can think to say,
life’s more an open mic than cabaret,
You’re a wind chime to our northern cow belles,
If April is the cruelest month, here’s to May!
And as you leap across adulthood’s fjord,
I leave you to the grace and favor of the Lord.

Tuesday, April 5, 2011

16 Things About Me

1. I go by my full name, Brendan Jones O'Connor, out of respect for both sides of my family.
2. Ik kan het Nederlands spreken (I can speak Dutch.)
3. I don't mind the sound of my voice in recordings.
4. I don't feel very masculine or effeminate.
5. I don't drink alcohol, nor do I have any desire to.
6. I have never been in a relationship, yet I don't feel unfufilled.
7. I tend to make broad generalizations. For this, people often think of me as being very opinionated, but I don't think I am, because I am willing to change my opinions with new facts or better viewpoints, using generalizations is usually for emphasis.
8. I am a vegetarian. I do not eat fish, and I avoid milk and eggs in their standard form.
9. I believe religion is a beautiful thing. I am an Episcopalian, but I have great respect for Islam, Judaism, and all other religions.
10. I dislike sarcasm, which is bitter and condescending, and directed at an individual. Sarcasm is the lowest form of wit, and whenever somebody is sarcastic to me, I respond by saying, "If I wanted sarcasm, I would have gone to the DMV."
11. My favorite philosopher is Kierkegaard.
12. I believe in being a moral person. One thing high on my list of virtues is humility. Nothing is quite as off-putting as being self-satisfied or condescending.
13. Winnie-the-Pooh holds a very special place in my heart.
14. I attend the University of Wisconsin, majoring in History and Economics.
15. I am a romanticist. Often I think about how I perceive things, aesthetic beauty, the quality of people's voices, etc.
16. I write novels. So far, none of them have been good enough to seek publishing, but a skill takes time to develop. Literature is an art form I am connected to, and think about frequently.

Tuesday, March 29, 2011

Why I am a Vegetarian

I do not eat meat (including fish,) and I tend to avoid consuming milk and eggs in their straightforward forms. To some people, this is an affront to the natural order of things. Relax, I am not a radical, but one need not be a vegetarian. Things like animal abuse and the environmental impact of factory farming certainly weigh on my mind, but my reasons for forsaking animal muscle mass are a little more personal than that.
      I worked at a McDonald's during my formative years. Handling those frozen meat patties all the time made me gain a slightly different feeling about my dietary patterns. Before my time working, I loved bragging about how much I loved meat. I thought vegetarianism was stupid. But after making Big Macs with my hands without gloves (they are not required in Waukesha County,) meat started looking gross.
     Soon enough, I gained an aversion to red meat. I could not eat it in front of people; I thought they would judge me, but really, I was judging myself. A few months of going red-meat-less, I went to college (Go Badgers!) and woke up one day with absolutely no desire to eat meat. I literally woke up one day a vegetarian. To this day, I have had absolutely no desire to eat meat.
     Two lessons: 1. I gave up meat as a personal Kosher, and I feel better. 2. I gave up meat because I had lost all desire to eat it. If you ever want to give up something completely, it is always easier to do it when you don't want it.

Thursday, March 3, 2011

My Recent Thoughts on Film

The Academy Awards played out last Sunday, and I realized I need to start reading more books.
I have watched so many films the last couple of years, about 2-3 a week, that film dominates as my largest source for narratives. However, I am not sure that is a good thing.
      I do believe film is an art form, undoubtedly the most commercially successful one of the past century. A movie, unlike a book, only takes two hours to watch. This precisely is the problem: all this cinephilia is lowering my attention span. Film too often is a passive experience; we eat popcorn and watch a film. Reading a quality book requires many more hours of dedication and strict focus to avoid shifting one's eyes around the text without gaining comprehension.
     From my own experience, people that read a lot of good books (e.g. if you run your hand across the cover, the author's name does not protrude) are generally better human beings. Thus, my desire to become more of an active reader draws me to a radical decision: I am going to delete my Netflix account. Extreme? Yes. Necessary? Not exactly. A move in the right direction? I believe so.

Sunday, February 20, 2011

Problems with the 2011 Oscars

I love film, and I believe that good films ought to be awarded. The problem with the foremost award ceremony, The Academy Awards, is how they nominate the best films and actors ever year, and then give the awards to the wrong ones way too frequently. Here is my take for this year:

-Christopher Nolan is not nominated for Best Director. I feel the best film of a particular year and the best director of a particular year are almost always different films. The best director is the one who has the greatest vision and the most artistic exicution. The best director makes the viewer consciously aware that there is a man or woman behind the camera making everything work perfectly. That director this year was Christopher Nolan; he is the best commercial auteur in America (even though he's British.)

-"The Kids are All-Right" is not that great of a film. The plot had a shift half-way through as abrupt as "From Dusk Til Dawn," there was no real conclusion with Mark Ruffalo, and it seemed like it was trying to be a lesbian film for its own sake. Of all the characters, I felt for Julianne Moore so much more than Annette Bening. I suspect this is a pity nomination, but should Julianne deserve one also for her critical output?

-You also know why Annette Bening shouldn't get best actress? Because Hailee Steinfeld in True Grit was better! At only 16 years old, Hailee totally owned True Grit, despite being cast alongside Matt Damon, Jeff Bridges, and Josh Brolin. She was in every scene, why is she nominated for best "Supporting" actress? Too often "best supporting actor/actress" means a character comes into a scene, has a heartfeld 2 minute monologue, and that's supposed to be the grand scale of acting. Hailee had no teary-eyed monologue, because her character maintained herself as an intrigue part of the story throughout, her development, delievery, motions etc. were subtle and didn't scream "Throw me an award! (Mo'Nique)" and that's why she's awesome.

Saturday, February 5, 2011

Top films of 2010, 4-1

4. Black Swan
Black Swan is a film where the director is essentially the main character. The camera in this film is as much of a ballerina as the main characters, and I cannot say the same for any other film I saw this year. Black Swan is a decent into madness, making the viewer constantly question everything. It grips and warps your mind like how Darren Aronofsky only can, or as a friend of mine said, "Black Swan is an epic beast to be reckoned with!" Except this movie to be on my "Top 10 love-making scenes."

3. Toy Story 3
When I heard that Pixar was finally releasing Toy Story 3 eleven years after Toy Story 2, and fifteen after the original, I became a little nervous. After releasing so many quality films, one would think that they would eventually churn out something lousy, after all, its the third movie in the franchise! But Toy Story means something to me, it's one of the first films I ever remember seeing in theaters. Could Pixar recapture the magic of the first two films? Yes, they did.
This is not a film for kids, this is a film for everybody that ever left their parents' house or ever had to say goodbye to a friend. Toy Story isn't about toys, its about the fragility of innocence and the influence of childhood. To quote A House at Pooh Corner (one of my favorite books,)
"Pooh, promise you won't forget about me, ever. Not even when I'm a hundred."
"How old shall I be then?"

"Ninety-nine."
Pooh nodded.
"I promise," he said.

2. The Social Network
When Oliver Stone released W. back in October of 2008, he produced a well-acted, well-directed, well-scripted film that completely missed the point of the Bush presidency. As a history major, I can say there is a danger in writing the textbooks too soon. The Social Network is a film that perfectly captures the time period of the Noughties decade, while transcending it for an eternally truthful story about the lust for power and the effect of technology on our lives. This is a film that has a seemingly trivial premise, the origin of Facebook, and turns it into a battle of ideas over what now could be seen as the most powerful innovation in communication and human interaction since the telephone. The technical aspects of this film are about as close to perfect as one can get: the acting, directing, music, editing, cinematography, and, oh-my-gosh, the dialogue. This movie is the anti-Juno; the characters may speak fast, and not like anybody you have ever met, but it sounds so interesting, and surrealistically, natural. This being unlike the Diablo Cody script that's stuffed full of jarring pop-culture references that speak more of the writer than the characters. This is the best film about the 2000s made in the vicinity of the said decade.

1. Inception
Much like The Social Network, Inception focus is on the power of ideas, how they shape us, and how we can shape them. I'll go out and say it, Inception is better than the Dark Knight, and just an amazing film altogether. Its complicated, but unlike say, the films of David Lynch or Lost, which are meant to be surreal and confusing, Inception thrusts the viewer into a world of manipulating dreams, with their own warped, but controllable, logic. It's so hard to find an action movie with this much brains, heart (just watch Leo act; he is officially the man,) and soul. The spiritual essence of Inception is the battle between the outside world of war, instability, and one's own restless subconscious. In an age of increasing isolation and escalating world conflict, I can think of no other Hollywood film that simultaneously entertained me while seriously examining the human condition.
(And I say it's real at the end.) 

Sunday, January 23, 2011

The Golem's Tale, part 3


CANTOS V
But could Chad pull off this maneuver
even with his rough allure?
Brush all that’s just, all that he knew,
To make a Devil’s rendezvous?
To end a person’s life just so
he may end his own. What thought-maestro
can dream so dark and sick and dour,
such details of a girl deflower’d?
An innocence dies on its own.
An apple-cheeked lass becomes a crone.
Adapt to cheat, less die alone?
A golem’s life is with no home.
Some martyr shed their robes bled red,
While others stained bright white, instead.
To live and live and never die
until the conscious’ fully pried.
Until one’s pride is ground as mill
can Chad release and soak distil.
“Suburban whiners, I’ve cast chagrin,
in truth, that’s what I’ve always been.
I’ve ripped my life so far ajar;
I’m just the miniscule YOU ARE!
To think the things that one can do
when one has less than naught to lose.
Six months were soon. He packed and fled.
There comes a place where maps give up
directing. Steps are gambits, top
to bottom, trees trim the stars.
You simply don’t know where you are.
The winds start here on their patrol,
First when they’re fresh and fiercely cold.
Relentless bruises I call time
have buffeted his skin to lime.
His face uncracked and ghostly smooth
expressed not well his soul unsoothed.
“I think about how I am cursed
A solemn man once said, ‘The Earth
Endures forever.’ I’m not alone.”
So much of nature, in fact, is gross.
The greatest clasp of life is close
Between how much we loath our days
and still we dread our death’s decay.
from ash to ash and dust to dust,
a tiny tab of earthen crust.
“Respect the magic, alive and queer,
but show the world, it’ll disappear.”

CANTOS VI
The moral of the story is…
Wait, you expect for me to give
an explanation for this tale?
Forget it, this ain’t Aesop’s fables.
Now just as I sweat to compose,
you should be reading awfully close
to get the most straight from the text.
As author, I can demand respect!  
You chose to cross the Rubicon
not knowing what this tale would spawn.
but there’s a little epilogue
to clear what had been cast in fog:
Magic is a funny thing.
Who knows what fortunes it can bring?
Now Chad’s confined in his decay,
but he may live to love some day.
The stuff that spans across your skin
once made a star shine, boil and brim.
This is the way a life begins,
with ashes’ dust tossed in the wind.
And thus, it all will start again.